Peter Lauer ‘Fass 12 Unterstenberg’ Riesling 2022
Location: Germany, Mosel
Winemaker: Florian Lauer
Grapes: Riesling
Winemaking: practicing organic, hand harvest, native yeast ferments
The wine is completely dry for 2022 at around 9 grams residual sugar.
From the Importer Vom Boden: “Unterstenberg” can be translated, roughly, as “under the mountain” – the “unter” being “under,” the “berg” translating to “mountain.” And indeed when you click the map to the left, you see the white rectangle denoting the vineyard, there at the base, the bottom, of the Kupp.
The location of this vineyard shapes absolutely everything about the wine; everything runs down the mountain after all. Thus the Unterstenberg is one of the few sites that rarely lacks for water, even in drier years. The vineyard’s location means it is also the final resting place for most of the fine, weathered slate and soil that has been washed down over the centuries. The larger rock, unable to be moved by water, remains up top, while Unterstenberg has a relatively deep, mineral-rich soil. The water and the soil mean that this is a rather vigorous site; the growth here can be explosive. Finally, the site’s location at the bottom, nearing the valley, means that there can be some botrytis down here, though of course Florian will select most of this out.
What does this mean for the wine itself? It tends to be one of the broadest and most powerful of Lauer’s dry wines. Because of the ample water, it has a mineral expression that is multifaceted, complex, deep. Interestingly, Unterstenberg is one of the few Lauer wines that has changed its signature dramatically at times; in the late 2000s the wine tended to be rather “Feinherb” in style. Since 2012, for reasons unknown to Florian, the wine has been fermenting closer to dry, having a “dry tasting” style not dissimilar to “Senior” and has shed sugar, first from a bit under 20, to then 15 and now in 2019 and 2020, even lower – it is dry this vintage at under 9 grams residual sugar. I love it in this dry / drier form, with the schmalzy, glycerin depth of the mid-palate emphasized and defined by the acidity’s cut and lift.
For those of you that know Lauer’s Stirn bottling, it is exactly the opposite of Unterstenberg, located only 300 feet up the hill. If you wanna have fun, open these bottles side by side and have a master-class in terroir. Only 300 feet apart, yet the difference between them is night and day.
“Lauer has gone cult”. I keep that quote largely for sentimental purposes. It was first penned by me, in the summer of 2011, as I was trying to come to terms with the stratospheric rise of Lauer, who was then still a bit of a newbie on the U.S. scene. It’s funny to read now, not even a decade later, as Lauer has been, unquestionably, established as one of the greatest addresses in Germany.
For purists, there is nothing like the Saar. It is arguably one of the greatest, most unique wine-growing regions on earth. The core of greatness in the Saar is intensity without weight, grandiosity without size. Frank Schoonmaker put it best in his 1956 tome The Wines of Germany: “In these great and exceedingly rare wines of the Saar, there is a combination of qualities which I can perhaps best describe as indescribable – austerity coupled with delicacy and extreme finesse, an incomparable bouquet, a clean, very attractive hardness tempered by a wealth of fruit and flavor which is overwhelming.”
Yes, this is the Saar and Florian Lauer is currently one of the greatest winemakers in this sacred place.
Florian’s general style is exactly the opposite of his famous Saar neighbor Egon Müller. At Lauer, the focus is on dry-tasting Rieslings as opposed to the residual sugar wines of the latter. For this style, there are really only two addresses in the Saar (though more come online every year, trying to chase the style): Lauer and Hofgut Falkenstein.
Employing natural-yeast fermentations, Lauer’s wines find their own balance. They tend to be more textural, deeper and more masculine. They have a preternatural sense of balance, an energy that is singular. Yet the hallmarks of the Saar are there: purity, precision, rigor, mineral.
Florian’s playground is the breathtaking hillside of the Kupp. Though the many vineyards of this mountain were unified (obliterated?) under the single name “Kupp” with the 1971 German wine law, it has been Florian’s life’s work to keep the old vineyard names alive, to keep these voices alive. He has been fighting this fight since his first vintage in 2005 and only with an update to the law in 2014 can he now legally use the older vineyard names such as Unterstenberg, Stirn, Kern and Neuenberg.
Florian fought the law, and he won.
Location: Germany, Mosel
Winemaker: Florian Lauer
Grapes: Riesling
Winemaking: practicing organic, hand harvest, native yeast ferments
The wine is completely dry for 2022 at around 9 grams residual sugar.
From the Importer Vom Boden: “Unterstenberg” can be translated, roughly, as “under the mountain” – the “unter” being “under,” the “berg” translating to “mountain.” And indeed when you click the map to the left, you see the white rectangle denoting the vineyard, there at the base, the bottom, of the Kupp.
The location of this vineyard shapes absolutely everything about the wine; everything runs down the mountain after all. Thus the Unterstenberg is one of the few sites that rarely lacks for water, even in drier years. The vineyard’s location means it is also the final resting place for most of the fine, weathered slate and soil that has been washed down over the centuries. The larger rock, unable to be moved by water, remains up top, while Unterstenberg has a relatively deep, mineral-rich soil. The water and the soil mean that this is a rather vigorous site; the growth here can be explosive. Finally, the site’s location at the bottom, nearing the valley, means that there can be some botrytis down here, though of course Florian will select most of this out.
What does this mean for the wine itself? It tends to be one of the broadest and most powerful of Lauer’s dry wines. Because of the ample water, it has a mineral expression that is multifaceted, complex, deep. Interestingly, Unterstenberg is one of the few Lauer wines that has changed its signature dramatically at times; in the late 2000s the wine tended to be rather “Feinherb” in style. Since 2012, for reasons unknown to Florian, the wine has been fermenting closer to dry, having a “dry tasting” style not dissimilar to “Senior” and has shed sugar, first from a bit under 20, to then 15 and now in 2019 and 2020, even lower – it is dry this vintage at under 9 grams residual sugar. I love it in this dry / drier form, with the schmalzy, glycerin depth of the mid-palate emphasized and defined by the acidity’s cut and lift.
For those of you that know Lauer’s Stirn bottling, it is exactly the opposite of Unterstenberg, located only 300 feet up the hill. If you wanna have fun, open these bottles side by side and have a master-class in terroir. Only 300 feet apart, yet the difference between them is night and day.
“Lauer has gone cult”. I keep that quote largely for sentimental purposes. It was first penned by me, in the summer of 2011, as I was trying to come to terms with the stratospheric rise of Lauer, who was then still a bit of a newbie on the U.S. scene. It’s funny to read now, not even a decade later, as Lauer has been, unquestionably, established as one of the greatest addresses in Germany.
For purists, there is nothing like the Saar. It is arguably one of the greatest, most unique wine-growing regions on earth. The core of greatness in the Saar is intensity without weight, grandiosity without size. Frank Schoonmaker put it best in his 1956 tome The Wines of Germany: “In these great and exceedingly rare wines of the Saar, there is a combination of qualities which I can perhaps best describe as indescribable – austerity coupled with delicacy and extreme finesse, an incomparable bouquet, a clean, very attractive hardness tempered by a wealth of fruit and flavor which is overwhelming.”
Yes, this is the Saar and Florian Lauer is currently one of the greatest winemakers in this sacred place.
Florian’s general style is exactly the opposite of his famous Saar neighbor Egon Müller. At Lauer, the focus is on dry-tasting Rieslings as opposed to the residual sugar wines of the latter. For this style, there are really only two addresses in the Saar (though more come online every year, trying to chase the style): Lauer and Hofgut Falkenstein.
Employing natural-yeast fermentations, Lauer’s wines find their own balance. They tend to be more textural, deeper and more masculine. They have a preternatural sense of balance, an energy that is singular. Yet the hallmarks of the Saar are there: purity, precision, rigor, mineral.
Florian’s playground is the breathtaking hillside of the Kupp. Though the many vineyards of this mountain were unified (obliterated?) under the single name “Kupp” with the 1971 German wine law, it has been Florian’s life’s work to keep the old vineyard names alive, to keep these voices alive. He has been fighting this fight since his first vintage in 2005 and only with an update to the law in 2014 can he now legally use the older vineyard names such as Unterstenberg, Stirn, Kern and Neuenberg.
Florian fought the law, and he won.
Location: Germany, Mosel
Winemaker: Florian Lauer
Grapes: Riesling
Winemaking: practicing organic, hand harvest, native yeast ferments
The wine is completely dry for 2022 at around 9 grams residual sugar.
From the Importer Vom Boden: “Unterstenberg” can be translated, roughly, as “under the mountain” – the “unter” being “under,” the “berg” translating to “mountain.” And indeed when you click the map to the left, you see the white rectangle denoting the vineyard, there at the base, the bottom, of the Kupp.
The location of this vineyard shapes absolutely everything about the wine; everything runs down the mountain after all. Thus the Unterstenberg is one of the few sites that rarely lacks for water, even in drier years. The vineyard’s location means it is also the final resting place for most of the fine, weathered slate and soil that has been washed down over the centuries. The larger rock, unable to be moved by water, remains up top, while Unterstenberg has a relatively deep, mineral-rich soil. The water and the soil mean that this is a rather vigorous site; the growth here can be explosive. Finally, the site’s location at the bottom, nearing the valley, means that there can be some botrytis down here, though of course Florian will select most of this out.
What does this mean for the wine itself? It tends to be one of the broadest and most powerful of Lauer’s dry wines. Because of the ample water, it has a mineral expression that is multifaceted, complex, deep. Interestingly, Unterstenberg is one of the few Lauer wines that has changed its signature dramatically at times; in the late 2000s the wine tended to be rather “Feinherb” in style. Since 2012, for reasons unknown to Florian, the wine has been fermenting closer to dry, having a “dry tasting” style not dissimilar to “Senior” and has shed sugar, first from a bit under 20, to then 15 and now in 2019 and 2020, even lower – it is dry this vintage at under 9 grams residual sugar. I love it in this dry / drier form, with the schmalzy, glycerin depth of the mid-palate emphasized and defined by the acidity’s cut and lift.
For those of you that know Lauer’s Stirn bottling, it is exactly the opposite of Unterstenberg, located only 300 feet up the hill. If you wanna have fun, open these bottles side by side and have a master-class in terroir. Only 300 feet apart, yet the difference between them is night and day.
“Lauer has gone cult”. I keep that quote largely for sentimental purposes. It was first penned by me, in the summer of 2011, as I was trying to come to terms with the stratospheric rise of Lauer, who was then still a bit of a newbie on the U.S. scene. It’s funny to read now, not even a decade later, as Lauer has been, unquestionably, established as one of the greatest addresses in Germany.
For purists, there is nothing like the Saar. It is arguably one of the greatest, most unique wine-growing regions on earth. The core of greatness in the Saar is intensity without weight, grandiosity without size. Frank Schoonmaker put it best in his 1956 tome The Wines of Germany: “In these great and exceedingly rare wines of the Saar, there is a combination of qualities which I can perhaps best describe as indescribable – austerity coupled with delicacy and extreme finesse, an incomparable bouquet, a clean, very attractive hardness tempered by a wealth of fruit and flavor which is overwhelming.”
Yes, this is the Saar and Florian Lauer is currently one of the greatest winemakers in this sacred place.
Florian’s general style is exactly the opposite of his famous Saar neighbor Egon Müller. At Lauer, the focus is on dry-tasting Rieslings as opposed to the residual sugar wines of the latter. For this style, there are really only two addresses in the Saar (though more come online every year, trying to chase the style): Lauer and Hofgut Falkenstein.
Employing natural-yeast fermentations, Lauer’s wines find their own balance. They tend to be more textural, deeper and more masculine. They have a preternatural sense of balance, an energy that is singular. Yet the hallmarks of the Saar are there: purity, precision, rigor, mineral.
Florian’s playground is the breathtaking hillside of the Kupp. Though the many vineyards of this mountain were unified (obliterated?) under the single name “Kupp” with the 1971 German wine law, it has been Florian’s life’s work to keep the old vineyard names alive, to keep these voices alive. He has been fighting this fight since his first vintage in 2005 and only with an update to the law in 2014 can he now legally use the older vineyard names such as Unterstenberg, Stirn, Kern and Neuenberg.
Florian fought the law, and he won.